Qui parle trop se Mesfait ?

Qui parle trop se Mesfait ?

Pauline à la plage est le troisième, et le plus connu, film de la série « Comédies et Proverbes » d'Éric Rohmer. Le proverbe illustré est « Qui trop parole, il se mesfait » de Chrétien de Troyes. On ne sera pas surpris qu'il y a soit question de paroles et de dialogues, sur un sujet éminemment subjectif : l'amour.

Où a été tourné l'arbre le maire et la médiathèque ?

Par une récente émission sur l'environnement, France Culture a fait rebondir le film L'arbre, le maire et la médiathèque, entièrement tourné par Éric Rohmer à Saint-Juire-Champgillon.

Pourquoi tous les films ne sont pas en replay sur Arte ?

Pourquoi tous les programmes ne sont-ils pas disponibles en replay? La totalité de l'offre replay proposée par ARTE sur son site ou ses applications est disponible en France et en Allemagne. En dehors de ces deux pays, 85% sont disponibles dans les pays germanophones et francophones en Europe.

Where to start with Rohmer's films?

• Yet Rohmer always shows warmth towards his characters, refusing to mock their aspirations, instead allowing them to learn from hard-won experience. If you have not seen a Rohmer film and wonder where to start, the answer is anywhere you like. It isn’t necessary to watch them in order and all his work is recommended.

What is it about Eric Rohmer as a director?

• Few directors in the history of cinema have so closely and revealingly observed the inner psychological workings of their characters as Eric Rohmer. Indeed he once described himself as being “less interested in what people do, than with what is going on in their minds while they are doing it.”

What is it about Rohmerian fiction?

• In the Rohmerian universe conversation is the prime motor of action; his characters constantly analyse their feelings in witty, erudite language, often revealing flaws in their carefully worked out logic in the process.

What if Eric Rohmer had never made another film?

• If he had never made another film Eric Rohmer would have secured a place in cinema history with this brilliantly lucid, clever and compassionate meditation on chance, probability, fate, sex and religion.